In 1998, I was in New York City working for American Photo. The same year, with David Schonauer the editor-in-chief, we produced a special […]…
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The Day May Break was photographed in Zimbabwe and Kenya in late 2020. It is the first part of a global series portraying people […]…
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Last June the Espace Durev presented in Paris, in association with the Galerie Artismagna, “La ville s’éveille “(“The city wakes up”) with 20 photographs […]…
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To celebrate World Photography Day and visual artists from all over the world, Depositphotos, a content marketplace with over 210 million images, music, and videos, […]…
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To celebrate World Photography Day and visual artists from all over the world, Depositphotos, a content marketplace with over 210 million images, music, and videos, […]…
Archives
At the end of the 70s, after his beginnings as a photographer in the magazine Afro Musique under the sponsorship of Manu Dibango, Pierre […]…
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Created in 2011, the Humanitarian Visa d’Or of the International Committee of the Red Cross (ICRC) every year rewards within the framework of the prestigious […]…
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Following an exceptional donation by artist Michael Kenna, the National Resistance Museum presents the exhibition Michael Kenna: Shadow Light, Photographs of Nazi Camps, from […]…
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“Everything can be transformed, deformed, and obliterated by light.” – Man Ray Man Ray: Dreams, Images and Love is the first large scale museum exhibition […]…
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14 bis rue des Minimes 75003 Paris The Galerie Sophie Scheidecker presents a monographic exhibition by Mexican photographer Flor Garduño with a selection of […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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