Thomas Mailaender has been known as an exhibition maverick, a technical swashbuckler, a collector of curios, in short, something of an outlaw of art; now, he is presenting himself wearing two new hats: an industrious artist and a worksite foreman. He intends to plunge, mix, coat, light, expose, print, bind, project, recycle, destroy, and, while doing this, place all of these actions and gestures on display. A handcraft manufactory, therefore,…
