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Claude-Maurice Gagnon

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The Lost Ones: Dark Self-Portraits (2017-19) My approach to the self-portrait, as a resembling or disfigured portrait, is the photographic genre that I have been practicing since the last years of 1990. This production is led, directly or indirectly, by the reference to the enlarged autobiographical dimension. If I state that my self-portraits represent me first, I express that they also become – in the narration of the whole corpus – portraits of characters from marginality, a marginality that is both fictitious and real . In this sense, my relationship to marginality is linked to my personal life history (homosexuality,...

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