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Sarah Malakoff

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For as long as I can remember, I have had a preoccupation with domestic interiors. As a child, I constantly rearranged the furniture, rugs, and even functions of the rooms in my house. Looking back, it seems to have been an effort to transform my surroundings at a time when not much else was in my power. My long-term photographic project looks at the ways we arrange our most intimate spaces. Our tastes, personalities, quirks and culture are expressed through our décor choices – sometimes intentionally, but often without realizing bits of our most authentic selves have seeped to the surface.

My photographs are a collection of private spaces that ask the viewer to imagine the people who inhabit them. We see both the unique ways we live behind closed doors, as well as the universal impulse to control our environment. In my images, the home is seen as both a refuge from and at times a re-creation of the outside world. For example, doors and windows can both frame exterior views and serve to keep the elements at bay. Landscape, weather, and wildlife lurk outside the walls even as they are brought safely inside in the form of pattern, simulation, and domesticated animals. Tensions and humor appear between absence and presence, genuine and artificial, the domestic and the natural worlds.

 

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