The continuous process of taking pictures of everyday life engenders the documentation of ambiguous ritual. As a result, its original duration and meaning could hardly be restored. In a sequence of images, the captured scene becomes autonomous and looped so it can’t be recognized as part of personal experience of seeing. The strange units that were put together form unexpected interactions with various forms, objects, phenomena. This allows thinking about totality of Seeable, about inability to ignore perception as such.
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