Tight, colorful, abstract and disturbing frames, urban landscapes, ancient sites, portraits … Since the age of eight, Jean-Pierre Giovannangeli has never stopped experimenting with art in photography. Of Corsican origin, his gaze nourished from an early age by the profusion of granite, Jean-Pierre has often magnified these hard rocks with strange shapes, which come in shades of gray and pink, omnipresent in his native south. Walking the mule tracks, wandering in the maquis, strolling and roaming along the creeks or walking in the mountains, gradually brought him closer this time to this limestone mass, that is Mont Ventoux. Indeed, each path to be taken on this bald mountain becomes a pretext for the act of photography. Whether it is a walk framed by enigmatic red and blue stakes, a hike on the west or north face, the photographer marvels at the multitude of facets this mountain offers him. “Mon Ventoux” – that is the title of his portfolio – now reveals the evolution of his work. Jean-Pierre’s attraction to this sculpted and windswept mountain grows and is refined over time,...
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).