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PhotographyPortfolios of readers

Every weekend, The Eye of Photography dedicates its edition to the portfolios of its readers. This section is our online gallery for photographers presenting their work. You will find here a selection of the best portfolios. This is an opportunity for photographers around the world to broadcast their work and share their vision.

Archives
Kathleen Holloway

Where is Home? After 53 years, my aging mother sold our family home. Months of clearing out furniture, decorations, and various items that had […]…

Archives
Marco Lugli

Acittadinanza Slaves of the third millennium CITIZENSHIP: relationship between an individual and the State, and is in particular a status, called “civitatis”, to which […]…

Archives
Paul Worms

Nature in the backlight I’m walking a lot in the contryside, early in the morning or late at night, in order to catch good […]…

Archives
Ida Anderson

Blue Valentines Blue Valentines is a special set of photographic postcards created using the cyanotype process— a historic technique known for its deep, melancholic […]…

Archives
Jérôme Bertino

In Praise of Blur “Color is descriptive, black and white are interpretive,” said Elliott Erwitt. Between a technical error to avoid and a claim […]…

Archives
Julien Che

Far from Human My artistic practice is shaped by the mountains. From the towering peaks to the serene valleys traced between them, my fascination […]…

Archives
Virginia Hines

Su Prugadoriu: Halloween in Sardinia Sardinia has one of Europe’s oldest cultures; many of its folkloric traditions originated millennia ago. Among the most ancient […]…

Archives
Ellen Carey

Light-in-the-Dark The Camera Less Operator or CLO opens a visual vade mecum to the finitogram, an anonymous – Anon. – photo-object gathered from throw-aways, […]…

Archives
Marta Rossignol

Roaming The Final Journey After thirty years of loyal service on the dull roads of daily life: subway, work, sleep, our old Super 5 […]…

Archives
Gaelle Warner

Fragments of an Island I wandered around Sète, photographing its lines, its volumes, and its architecture, implicitly understanding what these forms imply—social, political, and […]…

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