Author Alain-René Hardy

Before this buttocks-themed focus on monographic publications devoted exclusively to the posterior soon comes to an end, today’s column will, with a few repetitions […]…

Up to now, over the course of my fourteen chronicles, I have mostly contented myself—besides highlighting specific aspects of the work of photographers who […]…

It is unlikely that subscribers to L’Oeil de la Photographie are familiar with the name of Marcel Meys, a pre-war photographer who specialized in […]…

The images published by Mariïen and Cerf (see my previous column), to which it would not be unreasonable to add Kertesz’s Distorsions, even if […]…

My column No. X hadn’t yet been published when I realized that a path now opened up before me to present, as I intended, […]…

Finally, I wrote in conclusion to my last presentation, animated, following Kertèsz and Bill Brandt, by a breath of fertile freedom, Virt, Sannes, as […]…

The undeniable influence of Kertesz’s Distortions, made in the mid-1930s, on the evolution of photography only dates back much later, from the time of […]…

Return of Alain-René Hardy‘s fantastic column on the great books on erotic photography! Once again, I can only free my pen by giving up […]…