“The encounter with the reproduction of a molding of the Inconnue of the Seine was decisive. From the first shots, I imagined a staging with this enigmatic beauty, as inhabited by his presence.
Staging, Sculpture, stone, death as non-living are invited to “live” through my staging reproduced with photography. I try to capture “the refusal of mourning as an inner light called to shine, still alive; Last breath before death, touching the wound of living time.
This series is divided into several space-times that are presented through different themes: sublimation, rebirth, break.
So far from her works she had seduced Giacometti to the point that he was looking for a young woman who would have liked to try again the test of this happiness of death.