Taking possession of a work by crumpling reproductions and updating the baroque style. « In « Caravagesques » Claudia Vialaret combines a manual crumpling and a digital editing of the image, with a deep thought on artistic creation, while interrogating links between painting and photography »
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).