Swedish-born Australian photographer, Ingvar Kenne, captures both individuality and shared human experience in his ongoing portrait project Citizen. This collection of striking portraits was taken between 1997-2011 across Australia, USA, China, Laos and Papua New Guinea. In Citizen, we meet a nun,a prostitute,a factory worker, famous actors, tribal members and more. By applying the same photographic parameters and treating each of his sitters as equal, Kenne creates an intimate collective of what he refers to as ‘fellow man’. It is this notion that reminds us that our unique experience of life is something that we all share.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).