This is the thirteenth dialogue of the Ettore Molinario Collection. A dialogue dedicated to that painful, yet conciliatory gesture, which is the tear. On the ragged […]…
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Alain Laboile is now represented by the Hulett Collection. On this occasion, the Collection is showing this exhibition, which Alain Laboile comments on as […]…
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This is the twelfth dialogue of the Ettore Molinario Collection. A dialogue that speaks of the moon and the woman who most of all has […]…
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Rock photographer Neal Preston recently launched “Outtake Gallery”, an online platform featuring never-before-seen images of some of rock music’s most legendary performers. In his […]…
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This is the eleventh dialogue of the Ettore Molinario Collection. A dialogue on the truth of emotions and their scientific representation. A dialogue between distant […]…
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This is the 23rd installment of the online series by Peter Fetterman Gallery called the Power of Photography highlighting hope, peace and love in the world. We invite […]…
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After his photography studies at the school of Vevey in Switzerland, Jean-Pierre Laffont, born in Algiers in 1935, returned to Algeria in 1960. Infantry […]…
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by Igor Manko The aim of the Kharkiv School of Photography: from Soviet censorship to new aesthetics project is to provide an historical awareness […]…
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by Alina Sanduliak Whereas in Europe and America of the 1960s through 1980s, photographers were free to choose to document any aspect of everyday […]…
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by Guennadi Maslov It was not graffiti as we think of it. Rather very short phrases reminiscent of the party slogans: WORK WHERE — […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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