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Paolo Bonfiglio



Reality shows itself through limitless ways. Thus, everybody tries to intercept it by exploring the most adequate language. My curiosity has recently spread over artificiality which pervades our lives. For us, Europeans, a bit refined, yet outdated at the same time, it is easy to target some simple or desperate expressions of the American way of life. “Worldsamerica” collections summarize some of these aspects. In particular, when they compare – within few miles – dreams enclosed in a vintage car gathering and abandonment of a village which spring up and fall down because of business: yesterday-not there / today-existing / tomorrow-dead. Once again, the language of photography adapts to its scenes: colours and full immersion against smoothness and distance.

Paolo Bonfiglio


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