The exhibition brings together unpublished photographs of the Palais idéal by Robert Doisneau and the sculpted works of Simone Fattal. Taken in the 1950s at the Palais idéal, in black and white and in color during the 1970s the photographs pay a moving tribute to the generations of visitors who have come to discover the Palais idéal since its opening decided by the facteur Cheval himself in 1905. These images found during the confinement come to meet the sculptures of Simone Fattal, and open a reflection on time and memory, with regard to the work of the facteur Cheval. Born during confinement, the Chimeric Builders exhibition saw the light of day following the rediscovery of photographs by Robert Doisneau on the one hand, and the desire of the director of the Palais idéal , Frédéric Legros to show the work of an iconic artist with a solar personality, Simone Fattal, on the other hand. The photographs offer a new interpretation of Postman Cheval’s Palais idéal , presented under the gaze of Robert Doisneau either as an architectural icon or as a...
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