Search for content, post, videos

New Issue of Eikon Magazine #89

Preview

Antonioni’s masterpiece Blow-Up, currently the basis of an exhibition that is on a one-year tour of Vienna, Winterthur and—till early April—Berlin, has a special status in the history of the feature film due to its penetrating analysis of photography: its mechanisms and its failures. While the sequence of moving images (and therefore the plot of the film in itself) is woven into a convincing narrative in keeping with the genre, the positive images drawn from a negative by the protagonist create highly problematic evidence for an event whose outcome is unclear.

This content is for Abonnement annuel and Abonnement mensuel members only.
Log In Register

Create an account or log in to read more and see all pictures.

Install WebApp on iPhone
Install WebApp on Android