In her seminal series of self portraits Untitled (1997), Walker draws our attention to the features of her face in closely-cropped black and white photographs. The sequence of ten portraits share a charged visual journey as she seemingly peels away layers of her surface skin, conjuring a narrative that is more sinister than playful, intimating that her blackness cannot – and must not – be stripped away. Magnifying the delicacy of her skin, we are invited to consider complex notions of beauty, masquerade, and vulnerability. This exhibition is part of Autograph’s ongoing commitment to curate and preserve the legacy of...
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