As an introduction If the technique does not make the art, the anteriority does not necessarily make the artist. However, when a new vision […]…
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“We met in 2004, in the subway. I approached you with the desire to photograph you. At first you were my role model, over […]…
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British photographer Paul Hart’s debut exhibition in the USA opens at the Etherton Gallery. Paul Hart : The Fens features works from the Fenland […]…
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Swann Auction Galleries’ sale of Fine Photographs on Thursday, April 14, will feature a selection of classical twentieth-century prints alongside contemporary works. Headlining the […]…
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The San Antonio Museum of Art (SAMA) announced that it has acquired seven photographs by pioneering American photographer Laura Aguilar. The works are drawn […]…
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Louisiana presents the first large-scale retrospective in Scandinavia of legendary American photographer Diane Arbus (1923-1971). In a career that lasted little more than fifteen […]…
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We have arrived at the seventh edition of this event. An age of reason to establish a real notoriety in the Avignon landscape. Quantity […]…
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The Instagram Page Friends in Edit Room unveils the works of photojournalism in Ukraine, the reality of war, of their life and work. The platform gathers their different covers and…
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Alain Laboile is now represented by the Hulett Collection. On this occasion, the Collection is showing this exhibition, which Alain Laboile comments on as […]…
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The Galerie Catherine & André Hug presents Carl Corey‘s photographs for the first time in Europe in an exhibition entitled Americaville. Carl Corey is […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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