The Galerie Magnum‘s new exhibition celebrates the prolific career of Raymond Depardon, an iconic figure in French photography. With some forty prints from a […]…
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The exhibition is at the Buronzu Gallery in Liège. Its title: Plastic Sushi. Its creator: Harry Fayt. The Plastic Sushi exhibition is a visual […]…
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Everything hinges on experimentation, with projects receiving continuous and worthwhile updates. Nothing is definitive, everything is subject to change, especially in peripheral realities and […]…
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Archives – July 14, 2022 Firefighters, rural, musette, clandestine… the popular ball not to be missed is that of July 14th! Will we dance? […]…
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Sunlight, the Rhône delta, its vegetation, a few passionate cyanotypists, a botanist, a writer, and the many miles roaming the dunes and marshes, walking […]…
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In a 17th-century private house at the foot of the Arles arena, the Fondation Thalie presents this new exhibition from the Thalie Collection. “Géologie […]…
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Foule (crowds), one of the most surprising series at this year’s Rencontres d’Arles, is a compilation of photographs taken between the end of the 19th century and the middle of…
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Archives – July 11, 2019 Summer memories of 1981: Robert Mapplethorpe’s controversial slideshow at the Antique theatre in Arles. As part of the opening […]…
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The Rencontres d’Arles announces the awarding of a carte blanche to the Rencontres de Marrakech as part of the 2025 edition of the Nuit […]…
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In June 2018, Luxembourg-based artist Carine Krecké stumbled upon a series of photos on Google Maps showing the destruction of Arbin, a town in […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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