Anthony Hernandez (b. 1947) tends to be associated with American street photography; however, the SFMoMA retrospective reveals a body of work that transcends facile classifications and genres. We enter the exhibition imagining we know what we are going to see, and we leave having shed many of our assumptions: which is a good sign.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).