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Provoke : Second part of the exhibition


Both an aesthetic and a theoretical manifesto, the cult Japanese magazine Provoke pulled off a radical break in just three issues, published in 1968 and 1969. With Provoke, the photographers Takuma Nakahira, Yutaka Takanashi, and Daidō Moriyama, the critic Kōji Taki and the poet Takahiko Okada imposed a new visual language to capture the complexity of the individual experience and the paradoxes of modernity.

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