It’s hard to say if there were detectible new currents on show this year – there was a surprising number of contemporary female nudes evident in many of the exhibitor’s spaces but in terms of one emerging star of the program, none surfaced. Ben Nixon, a young photographer working with 19th century wet-plate technology, had a strong show of his forest work as well as his exquisite new title from 21st Editions. A lot of pigment printing on view, with an exceptional piece by Michael Lang at the Cohen Gallery booth. While many tend to pump the colors of modern ink-jet prints, Lang’s images displayed a remarkable restraint and mastery of his craft. Less early 20th century masters on display than in prior years, a greater emphasis on the work of contemporary photographers – a good direction for mid-career image-makers. Most were American although a collective booth showing the work of Czech photography was wonderful. Daniel Miller of the Verge and Duncan Miller galleries hosted a booth for a group of women, all emerging photographers which was a good development.
This year an expanded series of seminars, some even tech seminars were added to bring in more photographers who were everywhere this year – a great chance to catch up with friends.
All in all, worthwhile, to be sure. Will I attend the 22nd PhotoLA? Absolutely.
Jeff Dunas, Los Angeles
