The world is a ghetto. We of the first world forget this but it is everywhere, more common than not, people living below the poverty line in conditions too raw for us to fully comprehend. When we do consider it, we vilify or romanticize; we imagine it not as it is, for rarely do we venture into the world of the underclass. Yet artists venture forth, exploring lands unexamined and unexplored, discovering stories waiting to be told. Douglas Mayhew does just this in his first monograph, Inside the Favelas: Rio de Janeiro (Glitterati Incorporated).
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).