Search for content, post, videos

Luca Tronci


In the present series I dig my way through the connections between the honorific and repressive poles of portrait practice starting from mug-shots published with the same index in Cesare Lombroso book “the Criminal man”, one of the very first attempts, in the 1850s, to use photography to match citizens tendency to commit crimes to their appearance.

Create an account or log in to read more and see all pictures.

Install WebApp on iPhone
Install WebApp on Android