Photography is reproductible, and artmarket seems to obey only the principle of ” the rarest rarity “.
Leaving of this paradox, how did the photography market historically form itself? How do we estimate an edition and how orchestrates an auction of photos? What are the uncertainties and the tensions which browsed the market and which browse it even today?
21th January 2016
Interview with Simone Klein
7:00-9:00 pm
Institut National d’Histoire de l’Art
2 rue Vivienne 75002 paris
