Drape uses vintage pin-up photographs as its source material. I sought out images, mainly from the 1960s, in which women posed in (semi) domestic sets in front of curtains or drapes. Manipulating these, I extended the curtains to partially obscure the women, re-enforcing the former’s role as a marker between public and private. The curtain vacillates between striptease-drape and blind or shutter. The background, meanwhile, envelopes the focal point and the foreground slips into the background.
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