During those 6 years at Clarin I stopped photographing completely. I cleaned my system: I was immersed in photography 24/7 but did not shoot anything. Then in 2002, due to the profound economic crisis in Argentina, I became an administrator for the downsizing of the paper and our department. It was time to leave. I picked up my cameras again with the renewed hope that I could refocus my work and explore and develop my expressive tools but also abandoning the daily grind of the short term assignments and trying to develop new projects. Tango was one of them. I...
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