During those 6 years at Clarin I stopped photographing completely. I cleaned my system: I was immersed in photography 24/7 but did not shoot anything. Then in 2002, due to the profound economic crisis in Argentina, I became an administrator for the downsizing of the paper and our department. It was time to leave. I picked up my cameras again with the renewed hope that I could refocus my work and explore and develop my expressive tools but also abandoning the daily grind of the short term assignments and trying to develop new projects. Tango was one of them. I...
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).