Clarence Sinclair Bull's long association as a photographer with the studio that would become Metro-Goldwyn-Mayer began when producer Samuel Goldwyn hired him in 1919. Managing to survive the commotion of the consolidation of the Hollywood studios in the early and mid 1920s, Bull found himself at the helm of MGM's stills department when the studio was formed in 1924 and stayed there until retiring in 1961. The enormity of MGM's output of films in the 1920s -- they advertised a new feature every week -- saw Bull's domain grow. He was responsible for managing MGM's staff of photographers and the large support crew of technicians needed to develop, re-touch print and collate the hundreds of thousands of prints distributed annually by MGM's publicity department. At least one photograph from the 1920s shows Bull with nine stillsmen who juggled the task of shooting photos on as many as a dozen films that might be concurrently in production.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).