Byways, the first monograph by the pre-eminent cinematographer of our time, Sir Roger A Deakins, CBE, ASC, BSC is published by Damiani. Previously unpublished […]…
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Galerie Bigaignon presents their exhibition of-the-walls (at We Are) by Thomas Paquet entitled “Dreaming like a dreamer” from September 3 to October 31. French-Canadian […]…
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Jean-Marc Yersin, former co-director of the Swiss Camera Museum, started out as a professional photographer. Since 2018, he has returned to his first passion, […]…
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The South Australian Museum recently announced the winners of the Australian Geographic Nature Photographer of the Year 2021. A captivating photograph of a Leafy […]…
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David Bailey exhibits images from his archive for the first time at Photo London. Bailey has selected some of his most recognisable portraits alongside […]…
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Messums announce the launch of their new photographic department and its partnership with the Kogan Collection on a ground-breaking series of exhibitions, starting with […]…
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Nick Brandt’s new body of work, The Day May Break, is launched in the UK with Atlas Gallery at Photo London (9–12 Sept) and […]…
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29 Arts In Progress presents a collection of works by Rankin at Photo London. Located in the historic area of Sant’Ambrogio, Milan, the gallery […]…
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An important new project highlighting how women prisoners are seen and understood with the ultimate aim of reimagining the justice system will launch at […]…
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Ed Asmus (b.1950) traveled to Ethiopia in 2015 to document the remote Surma tribe of southwestern Ethiopia. While there he discovered the rich heritage […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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