The same year that Edward S. Curtis’ North American Indians appeared also saw the release of the first Diane Arbus monograph, one year after her suicide. They are two…
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The same year that Edward S. Curtis’ North American Indians appeared also saw the release of the first Diane Arbus monograph, one year after her suicide. They are two…
Archives
Henri Cartier-Bresson was one of the first photographers selected for Aperture’s Masters of Photography collection, a series that included works by Berenice Abbott, Eugene Atget, Manuel Alvarez Bravo, Walker Evans,…
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The exhibition Gypsies presented at Arles last summer revealed the history of the publication of this seminal work by Josef Koudelka. The show was as anecdotal as it was…
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As announced in its title, the anniversary exhibition is a celebration. A celebration and a tribute, as much to the institution as to the visual diversity of photography itself. The…
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Martin Parr presents his latest editorial fancy, Life’s a Beach, copublished by Aperture and Xavier Barral.…
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I published several books with Aperture : Twins (2003), American Odyssey (1999) and Streetwise (1988). Streetwise is important because it was at the time of Michael Hoffman. It was first published…
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I don’t believe a history of contemporary photography can be written without acknowledging the role Aperture played in shaping that history. It played a significant role in my life, too…
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My association with Aperture books goes back to 1986, when Michael Hoffman, the director of Aperture, made it possible for the Subway images to be published, when most commercial publishers…
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I worked on my book at Aperture during a period of turmoil and uncertainty. There was at least one director change if not more. My editor Andrew left half way…