Antoine Schneck travels to the remotest villages of Africa, China and India in search of “authentic” faces for his portraits, which he takes against a black background, concealing the decor, expression, and relationship with the outside world. The faces appear in their perfect nakedness and interiority. We are presenting on the stand portraits of Africans from Mali and Burkina Faso, as well as a piece of driftwood which strangely resembles these portraits.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).