When looking at photography from a historical perspective it seems everything has been discovered and nothing new will be invented. Alex Katz, an American painter, said: [Mental] image precedes a photograph. Therefore limits of possible in photography can only be established by our imagination. Each photograph imposes on us an inner dialogue, kind of discourse between imagination and representation. The most recent piece of work by Anna Orłowska, Leakage, requires a viewer to be open-eyed and open-minded. The works are ambiguous, they don`t mirror everyday reality. Seemingly static, but not at a standstill. Each photograph from the series determines its own set of concepts and its own time, which keeps in suspense our perception and our understanding of the mutual relations between particular images. We come across a strange paradox: mechanical reproduction of reality, being a product of our civilization, mingles with mental image, a kind of a phantom. This is how a myth is born and becomes believable in Ania Orłowska`s photographs, thanks to her photography.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).