Everyday I use digital photography for my professional work. It’s the perfect tool for today’s
world, fast, accurate, easy to use and unsurprising.
But what a pleasure from time to time to work in film and find this analogue material sometimes unpredictable but certainly more complex and sensory.
While traveling, in Lyon, or in the studio, between professional orders, I take out my Polaroid cameras in search of emotion, I photograph while fleeing reality, I transform and reinvent the places, look for them or invent them a story.
Without histogram and control screen, sometimes a photographic accident transports my photo to another dimension. Far from documentary and reality, my images often come close to painting and graphic design.
I am passionate about monochromes and the blue color that can decline to infinity, blue is the deepest and most immaterial color. Sometimes I resign myself to using other colors to appease the eyes, but tirelessly the impact of this color on the mind charges me with energy for new trips.