Created over the past two years, the New Normal Pictures are a continuation of Gilbert & George’s street-level explorations of our modern world.
‘We are asking “What is human life?” and making pictures about it,’ the artists explain. Although these pictures predate the pandemic, they resonate with the universal experience of a ‘new normal’ over the past year as the world has adapted to a fundamental shift in its daily reality. However, the phrase has a broader significance for the artists, who see it as a stand-in for the word ‘existential’, referring to a sense of normality that is constantly adjusted and renewed.
This is reflected in the urban other-worldliness of their pictures and the introduction of radical new elements that contribute to their surreal intensity. ‘For us, art is an evolution. We call it a journey through life from the beginning, and being involved in something different.’ Suffused with a violently coloured haze, the clashing tonal contrasts and distortions of scale and perspective in these new pictures combine to form a vision of the modern world that is subtly off-kilter, not-quite-normal. The outsized forms of balloons used to inhale nitrous oxide or the monochrome drug bags silhouetted against a nuclear sunset contribute to the sense of an altered state. Places such as Moss Close or the cemetery at Christ Church Spitalfields, everyday items such as bus stops and park benches, and even the familiar figures of the artists themselves are rendered uncanny and, in their own words, ‘disturbing’.
In his catalogue essay on the exhibition, the writer Michael Bracewell elaborates: ‘As Gilbert & George take their place in their art, the artists appear impassive, spectral, respectable, fearful and possessed, individuals thrown into a reality not of their choosing, frighteningly free to make sense of it as best they can. (…) If there is a unifying ‘temper’ to their art it derives from this moral vision, in which the modern condition is seen as chaotic and poetic – a matter of indifference to the universe or fate; without meaning save that which the individual creates for himself and for which he alone is responsible. (…) To this extent their art is existential, conveying the intensity of constantly renewed normality, as an active engagement with the nature of freedom and choice; with the volatility, alienation and randomness of modern life as it is bounded by technology, borderlines, and beliefs.’
An illustrated catalogue with an essay by the writer and novelist Michael Bracewell will accompany the exhibition.
Gilbert & George : New Normal Pictures
June 1 – July 31, 2021
69 avenue du Général Leclerc