Linarejos Moreno’s (Madrid, 1974) latest project reflects on absence by printing photographs on large sackcloths and sculptural objects. The handcrafted preparation of the sackcloths awards sculptural and pictorial properties to the images printed on them. He creates a powerful language with these elements, blurring the boundaries between photography, painting, sculpture and drawing, as well as fiction and reality.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).