Overlooked until recently, now on show in Frankfurt/Main, Germany, the Czech artist Jaromír Funke (1896–1945) pushed in his time the boundaries of photography. Experiments with light and shadow, reflections and transparencies: Jaromír also counts as one of the most important representatives of Czech Avant-garde photography. Often ahead of his time, he sourced impulses from Cubism, New Objectivity, Abstract Art and Surrealism. The Fotografie Forum Frankfurt presents his work displaying more than 70 photographs from the period between the 1920s and 1930s. Jaromír Funke started photographing at the age of twelve when his father gave him his first camera. After receiving his high school diploma in 1915 he studied medicine, law and philosophy before turning entirely to photography after World War I. Next to his early landscape images adhering to the style of romantic pictorialism, he started creating modern works from 1923: minimalistic compositions with plates, vacuum cleaner tubes and glass bottles, still lifes with glass objects, light bulbs and star fish. The shadows of objects, not the objects themselves, start to take center-stage in his work. Funke was inspired by...
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).