The view is broad, sweeping. The space, at once immense and bounded and goes from white to deepest black, the entire spectrum of greys is present, inscribing the materials in the implacable structure of the vanishing lines. On the right, the triangle of the sea wall matches that of the rocky surface on which the photographer is standing. Straight ahead, at the point where perspective draws the lines together, the lighthouse attracts the eye. The grey mass of sea and sky, thus outlined within the frame, is intruded into by a flight of birds, black because lit from behind. Like a negative.
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