The pictures in Guy Martin’s new book The Parallel State are both documentary and pictures taken on the sets of films and television shows. Combining images that are polar opposites – one of fact the other fiction – acts to create a complex narrative around the rise of fascism globally, and in particular the political climate in Turkey, where Martin lived for […]
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).