In his exhibition Double Enclosure, Sepuya enters into a dialogue with himself as artist, his subjects and the spectator. He comments on the medium of photography as a construction of longing: the longing to record things, to look, to touch and to keep. Through a combination of draped fabric, careful framing and layered images of existing work, the viewer sees arms, thighs, torsos and hands, but rarely the whole body of the subject. In this way, the spectator is visually challenged to tease apart the construction of the image. With this visual strategy in which he references a homo-erotic visual culture, he explores the productive and critical power of longing as an essential part of his work.
For more information: https://www.foam.org/museum/programme/paul-mpagi-sepuya
Keizersgracht 609, 1017 DS Amsterdam, The Netherlands
September 14, 2018 to November 12, 2018