Since the mid-1990s, Denis Darzacq has been developing personal work. From press photography, which, like other French photographers of his generation, was the cradle of his artistic practice, he kept above all a keen eye on contemporary society and a method. Denis Darzacq has become convinced that a constructed image can serve his analysis of society more effectively. Since 2003, he has used staging. By their state or their pose, the staged bodies upset the established order, without ever tipping the image into the spectacular. The book retraces the journey of Denis Darzacq who present photographs extracted from major series....
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