Some labels outlive their usefulness and anyone now calling themselves a war photographer should arouse more suspicion than applause. We certainly don’t need professional […]…
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For me, there is always the work being presented but also there is the presentation. Last week the Getty Center made me smile with […]…
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Thierry Maindrault’s Monthly Chronicle It is common knowledge that quality and quantity do not go well together. An increase in containers inexorably leads to […]…
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The works of a master of graphic expressions are rightfully installed at the Musée Réattu for this year’s Rencontres d’Arles. In this setting with […]…
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Jean-Claude Marguerite sends us this portfolio accompanied by this text: At the beginning of the 2000s, I lived a stone’s throw from the Père-Lachaise […]…
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Today I invite you to return to the beginning of my tests and research into alternative developers. In fact, a year ago, I carried […]…
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Thierry Maindrault’s Monthly Chronicle With the early arrival of spring, I suggest this time to get away from the incongruous behaviour of the exponential […]…
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I’ve been thinking about the space between pictures of everyday life and the pictures that venture beyond. Scot Sothern and John Matkowsky think about […]…
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In this chapter, Jacques Revon explores printing on gelatin-bromide paper of photograms developed in a tray in alternative developers made with coffee, wine and sage. […]…
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For seven years, between 2015 and 2021, Ciro Battiloro followed the daily lives of several families in neighbourhoods in southern Italy: Rione Sanità in Naples, Santa Lucia in Cosenza and…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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