In one afternoon at the Tate Modern, I was first pleasantly surprised to discover the exhibition Contested Terrains in the Level 2 Gallery (http://lalettredelaphotographie.com/entries/4494/londres-contested-terrains), before I continued on to the…
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I do not photograph reality. I photograph what has been, what could have been, what I believe must be, what I would like to see, what I would like there…
Narrative Interventions in Photography, at the J. Paul Getty Museum, presents three contemporary artists whose work explores the concept of narrative, the subjectivity of storytelling, and the revision of history.…
Catherine Gfeller was born in 1966 in Neuchâtel. She studied art history and literature before deciding to pursue the plastic arts. In 1995 she moved to New York, then to…
My mind was set on visiting the Tate Modern over the weekend. I wanted to finally see the installation of Taryn Simon’s A Living Man Declared Dead. I had already…
Oculus is the most recent book by Ken Schles, he interrogates the relationship between pictures, memory, and light. In his introduction, Ken Schles writes: "We infuse the world we encounter…
For her latest book, The Fashion Pictures, fashion photographer Deborah Turbeville assembles a selection of the surrealistic photographs that made her name.…
For thirty years, Tom Wood has trained his unblinking eye on the streets of working-class Liverpool, largely forgotten by the rest of Britain. There they call him “Photie Man.” In…
Hypotheses is the second part of the Trilogy of the Moderns. Caroline Gaudriault’s and Gérard Rancinan’s artistic and editorial approach has prompted them, at each stage of their Trilogy of…