The Corcoran Gallery of Art presents Charlotte Dumas: Anima, the first solo exhibition in the United States by Dutch artist Charlotte Dumas.
Anima, organized by Paul Roth, the Corcoran’s senior curator and director of photography and media arts, will showcase a newly-commissioned series of portraits in the Corcoran’s Rotunda that show the majestic burial horses of Arlington National Cemetery, and will be accompanied by three earlier bodies of work, showing the artist’s range of approaches to her subjects.
A rising international contemporary artist, Dumas recently received widespread acclaim for her photographs of the surviving search and recovery dogs of 9/11. “Dumas’ photographs are intended to provoke a kind of interaction, one that is focused and intense, between her viewers and her subjects,” said Roth. “Her goal is to engender a visual relationship, so that the portrait makes us more conscious of how we look at animals in our everyday lives.”
Dumas, who travels the world making evocative formal portraits of animals, typically works in series, portraying animals characterized by their utility, social function, or by the way they relate to people. Drawing inspiration from classical portrait painting of the 17th-century Dutch Golden Age to explore the relationship between her subjects and their environment, Dumas often presents her subjects as heroic, engaged in a struggle of sorts against their marginalization or confinement, and against the spatial and psychological encroachment of people.
“The bond between mankind and animals, and the extensive history that it accompanies, is my great interest,” said the artist. “I investigate how we tend to use and regard animals for our own purposes, both literally and symbolically and the characteristics that we like to take to heart from them, and the ones we attribute to them.” Commissioned by the Corcoran, Dumas recently began photographing Arlington National Cemetery’s burial horses while in their stables and at work. These Army horses, which belong to the Old Guard, the 3rd Infantry Regiment, carry soldiers to their final resting place in traditional military funerals. Additionally, the exhibition presents three earlier series of portraits that investigate the inner lives of particular animals: Reverie (2005) depicts gray wolves, alone and in packs, in forested nature preserves in Sweden, Norway, and the United States; Palermo 7 (2006) contains close-up portraits of racehorses, with their heads tethered in place in their hippodrome stalls in Italy and France; and Heart Shaped Hole (2008) depicts stray dogs, adapting in different ways to the privation they experience on the streets of Palermo.
Charlotte Duma was born in Vlaardingen, the Netherlands, in 1977. She graduated from the Gerrit Rietveld Academie in Amsterdam in 2000 and continued her education at the Rijksakademie from 2001 to 2002. Her work has been included in many group exhibitions and in solo shows in the Netherlands, Italy, France, and the United States. Dumas has published several books, including Retrieved (2011), Repose (2010), and Paradis (2009), each dedicated to her portrait series. Charlotte Dumas lives and works in both Amsterdam and New York City. She is represented by Julie Saul Gallery in New York and by Galerie Paul Andriesse in Amsterdam.
Anima – Charlotte Dumas
From July 14st to October 28th 2012
The Corcoran Gallery of Art
500 Seventeenth Street
NW Washington, DC 20006 – USA
The Exhibition Anima will be presented in Paris in autumn 2012 / winter 2013.
From November 11th 2012 to January 20th 2013
Institut Néerlandais
121 rue de Lille
75007 Paris – France
