Valentino Bellini (1984) is a freelance documentary photographer based between Berlin and Palermo. He graduated in photography in 2010 at the CFP R.Bauer. Since 2011, parallel to his activities as freelance photographer began working at LINKE. lab where he specializes in fine art printing and production of photo projects and exhibition. His works have been exhibited at Ivrea Photo Festival 2011, Delhi Photo Festival 2011 and at the Rizhoma House Gallery (Palermo, 2012) in a solo exhibition titled Working Souls.
Current location: Berlin, Germany
BIT ROT Project
“Consumer goods are meant to be used up and to disappear; the idea of temporariness and transitoriness is intrinsic to their very denomination as objects of consumption; consumer goods have memento mori written all over them, even if with an invisible ink.”
Zygmunt Bauman
Bit rot is a colloquial term used in the computerized information systems environment to indicate the gradually decaying of data stored on storage medias or software over the duration of time. In this case, the concept is transposed from a virtual reality, made of bit and software, to a material one, made of real people, things and places.
This reality is the research subject of the BITROT Project. Through photographic documentation, the project follows the international movements of the e-waste, providing evidence of illegal commerce and disposal and tells the stories of those who are involved, but also underlines green and sustainable alternatives that in many countries have already been adopted.
Electrical and electronic waste (e-waste) is growing faster than any other type of waste. With an annual volume that goes between 40 and 50 million metric tons, according to the UNEP (United Nation Environment Program), the growing amount of e-waste could grow exponentially, as much as 500 times over the coming decade, especially in countries like India, China and some African regions where the technology industry is growing fast.
It is hazardous waste, containing dozens of substances dangerous to human health and the environment; it is hard to be sustainably disposed of and it needs a costly processing technique to make it recyclable. This is the reason why about 80% of the e-waste produced in developed countries (North America and Europe on the top of the list) is not disposed of in situ, but shipped, most of the time illegally, to developing countries on cargo ships, where it is illegally disposed of. The Basel Convention, adopted on 22 March 1989 and entered into force in 5 May 1992, lays down rules to control, at an international level, transboundary movements of hazardous wastes and their disposal, including electrical and electronic waste. However, despite this useful instrument, the international regulation is not effective enough to fight the criminal organizations that gain great profit in moving the materials internationally.
This research is inspired by this important, practical problem, represented by the e-waste and focuses on the extreme consumerism of the society we live in. A society that keeps hostage modern slaves, forced to live and work in detrimental conditions and that at same time, keeps itself as a hostage, always looking for technological and innovative products to satisfy its own need of being fast and competitive. A society where the consumer does not acknowledge boredom and his culture avoids it. Where there is not happiness and the moments of happiness are when we satisfy our impelling needs, careless of acknowledging that our choices have an impact on the life of those that have no choice.
To this moment, the project documented the reality of three States among those most affected by this kind of illegal exportation: Ghana, Pakistan, and India. In the following months, the project is going to focus on China, that represents by itself not only one of the main e-waste producer (about 2 million tons per year, second only to US), but also, still one the principal destinations for illegal exportation of electronic waste.
