The first time I met Peter Basch was in his cavernous upper Westside New York City apartment, facing the Hudson river. I had discovered that, among his many nude torso studies, he had shot Bettie Page. This was circa 1985 and Bettie hadn’t resurfaced yet. In the deep shadows of his sunlit living room, I explained that I had developed a market for signed contemporary prints made from vintage negatives shot by Miami Beach pin-up photographer, Bunny Yeager of Bettie Page. I had done the same with Weegee the famous’ photographs of Bettie Page shot at several Cass Carr camera club shoots. These prints were signed and numbered by his paramour, ninety two year old, Wilma Wilcox.
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