If the Maison Bonfils is still little known to the inhabitants of the Cévennes, the starting point of its history, the photographs of the Maison are present in many national and international collections. They constitute one of the most important productions devoted to the Middle East of the second half of the 19th century. The exhibition presented at the Musée du Colombier d’Alès therefore takes on its full meaning, to discover the history of this family who chose to leave their studios in Saint-Hippolyte-du-Fort and Alès to settle in Beirut in 1867, in order to capture and market “views of the whole East” intended for tourists. Within the images of the Orient, the views of the pyramids, the Parthenon or the alleys of Damascus stand out for their sense of framing and their humor, sometimes Félix Bonfils does not hesitate to appear in disguise or to fake his images. In the Beirut studio, his wife Lydie herself photographs genre scenes and portraits, becoming one of the very first female photographers in the Orient. At the end of the century, their...
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