The work of Magali Lambert is on the edge of reality and the fanciful. For her the act of photography is a constant attempt to perceive the invisible and retain that which is disappearing. In the series “Merveilles”, thanks to the placing of used objects bearing strong signs, she creates a separate universe within collections like those spoken about by Andre Breton, “ objects that you only see in dreams”.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).