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Yan Morvan’s inverse fetishism


According to the well-known Duchampian perspective on photography, Yan Morvan knows that “action” in itself isn’t much: only its consequences make sense. That’s why, horsing around with his often-scandalizing models, who don’t fit the classical—aloof and anorexic—standards, the artist poses them so as to play with fetishism and its frills and thrills.

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