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Drawing on both the documentary (Sutgi – À nous la nuit), the vernacular and the imaginary (Man en animal, l’Homme en objet), her latest series “Caméléon” borrows more contemporary and critical paths. She evokes, through disguises and a role-play reminiscent of Cindy Sherman’s work, the sad fate of women who do not hesitate to put their lives in danger for questions of “seeming”, tempting desperately to whiten the skin using harmful lotions.
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