The Automaton of Venice is an immersion into Fascist Italy of the 40's through a a very pleasant story, that of a clock maker of the Venice Ghetto in…
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Ellen Danuto is mostly a commercial photographer but as president of the New Hersey chapter of ASMP, she met many artists living in New Jersey. In this serie …
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Christian Maillard was born in 1944, he is a photographer and a traveller. His favorite subject « the trees »: "Tree symbol of life and longevity but also chosen subject…
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Phil Stern first worked with John Wayne in the 1950s, at the height of the McCarthy era-the "Red Scare" in America. "We were like the odd couple," Phil says. I…
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Sotheby’s October 5th Photographs auction in New York featured a varied range of material from the 19th to 21st centuries. Two landmark documents in the history of photographic literature were…
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March 1871 Paris has been besieged and starved for two months by the Prussians. The people of Paris refusing defeat and humiliations rise against the bourgeois government of…
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This conversation was held on March 3, 2011. Denis Darzacq : Hello Jean-Christian Bourcart, photographer and filmmaker, your artistic process is quite unusual, both diverse and unforgiving. Can you…
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“The photographs in The Arc of Photography collectively convey a cohesive narrative about performance and identity, and span the many exciting changes within the field. It is a truly exceptional…
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Phillips de Pury opened yesterday the auction season in New York with two events. Here are some highlights of the Photographs auction with their estimates and sale prices. The top stop…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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