Insomnia is a project composed of intimate portraits of women and nocturnal landscapes, whose combination gives rise to multiple hints of stories. It evokes […]…
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Joseph Bellows Gallery presents Susan Ressler: Executive Order: Images of 1970s Corporate America. The Photographs that form the exhibition depict corporate America between 1977-80, […]…
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In the genesis, the man, “Adam” has as etymological root “Adama”, this clay that is his substance and his home. Through time and civilization, […]…
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Nearly 63 million children in rural China live with their grandparents or other relatives while their parents work in the cities. Others live alone. […]…
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This series of photographs portrays individuals in different rural sceneries and seasons. The people are positioned in the center of the image and displayed […]…
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Another Way of Telling: Photographs by Anna Fox and Karen Knorr showcases almost 100 works from the rich, dynamic careers of two of Britain’s leading documentary […]…
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Interview by Alison Stieven-Taylor I met Monique Jaques a few years ago at Visa pour l’image, around the time she made her first trip […]…
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Close presents 120 portraits of the world’s most famous and influential people across the arts and entertainment industries, politics, business and sport—from Julia Roberts […]…
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“ … I googled how painful it would be to slit one’s wrists (thinking of Diane Arbus), and up came the number for the […]…
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On the 20th anniversary of Stephen Wilkes documentary project photographing the abandoned buildings on Ellis Island, and with the the future of immigration and refugees […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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